Card base is cut from heavy black cardstock. It is a rectangle 8 5/8 inches x 7 inches and folded in half to form a 3 ½ inch x 8 5/8 inches card base. The slider arm and easel panel template was printed also on heavy black card stock.
Split-Slider: This split slider is based off Spellbinders Large Die of the Month for January 2021. The three mini easels were drawn and cut based off the three heart openings in the slimline die. (You can download a template for the horizontal split slider in the Materials Usedsection below.) The slider arm is horizontal rather than vertical as previous cards were. (Hint: Rectangular easels that will slide under the heart frames eliminate a catchpoint for the easel.)
You can glue the easel panel to the back of the lacy panel as long as you don’t glue the easel tab area at the bottom of the heart frames. Just put glue around the outer edge of the lacy panel.
Because the top lacy panel is adhered on three sides to the card base and needs to be raised, I used foam tape strips to raise the panel. (I like Stampin’ Up’s foam adhesive strips because they are precut and narrow enough to fit along the edge of the lacy panel.) Adhere the easel tabs to the slider arm before removing the backing paper of the foam tape.
You may have to help fold the easels into the fully opened position the first time to train them. Once satisfied with the slider/easels’ movement, remove panel backing tape paper and adhere to card base lining up the lacy panel with the top fold edge of the card base. (Note: The top edge of the slider arm (the pull bar) should jut out over the card base so that fingers can easily pinch the bar and pull up.)
Pull-Bar: The long pull bar or top edge of the slider arm is reinforced with a thick cardstock strip. Three yellow arrows are glued to the pull bar and a white dot for the place to hold the card when pulling up the slider arm. (For good CRX – I add a slip of paper to the card when mailing to show how to open the card.PDF of slipdownloadis inMaterials Used.)
Decorating the Easels: Because I had cut the lacy panel three times, I had plenty of the heart cut outs. I used three yellow hearts to form the easel bases that are folded at the tip of the heart when adhered to the slider easel. Three more yellow hearts are glued only at the rounded tops to the easel base hearts.
Using foam squares I adhered stamped baseball equipment to the yellow hearts and placed a bat under them.
Make sure you don’t glue anything that will impede the easels from moving.
The foiled “Happy Valentine’s Day” sentiment and stamped “Take me out to the ball game” are adhered to the inside of the card with double sided tape.
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Having just discovered i-crafter dies, I had to try out their Heart Hands, Wiper Insert die set.
For this quick card I used a printed card base designed by April Comell from my stash. Because it is a heavy cardstock, I decorated with thin papers, but used a lightweight dark blue scrap of cardstock for the main wiper mechanism and a medium weight cardstock scrap for the hands.
I watched Lynda Kanase’s assembly video a few times before making the card. The mechanism is a simple one that could be used with other things that wave or move. The hand dies have slight embossing for fingernails that you could paint red for nail polish.
After deciding to make this a Valentine’s card, I used my favorite Karen Burniston die for “Happy Valentine’s Day” cut once in white and again in red and off set for the inside. I used the “Love” sentiment die that is part of the Heart Hands set for the front of the card.
The lacy white trim is an older Joanna Sheen die used whole on the front and cut in half for inside the card.
As is my style, I stamped the back of the envelope with a BoBunny hearts stamp in a red ink to hint as to what is inside.
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The Miracle of Christmas papers by Hunkydory have some amazing collages of the advent story in them. My inspiration for this slimline card front came from the collage and blending of two images from the Bitesize Book.
This is the third in a series of blogs about Christmas cards made from the 2020 Hunkydory paper collection entitled The Miracle of Christmas.
The inside of the card has insert paper from the Miracle of Christmas collection glued in two sections so that the card base center fold is left uncovered.
When the card is opened, a fussy cut image of Mary and Joseph with the Christ child in a manger pop-up. The stable from the image has also been cut out and glued to the inside. To make the image pop-up, tabs were cut out at the feet of each of the adult figures and folded back. Next the couple was folded in half as close to their center as possible. With the card half opened I laid-out the position of the figures so that their heads were in the bottom corner of the card making sure they would not be visible when the card was closed. Next, I put glue on one tab and pressed in place and them glued the other tab to the other side of card.
A greeting will be handwritten below the figures inside the card.
The envelope is stamped with a coordinating stamp to hint at what is inside.
Thank you for reading about this simple pop-up card using the Hunkdory papers. Click the like button at the bottom of the page if you like the card or leave me a comment.
You can view more cards in The Miracle of Christmas Papers Series by clinking the links below.
Children’s Christmas pageants that re-enact the birth of the Christ child are the theme of these quickly made decoupaged pop-up cards.
In less than two hours I was able to make these cute cards using Craft Consortium’s Nativity collection designed by Hetz Cuppleditch. Using the 10 sheets of the pre-cut decoupaged scenes which are labeled with the layer number for each piece it is super simple to glue up these scenes matching pieces to the layer below. (You could use foam pads, but if you plan to mail these cards in the USA, you will pay extra postage because of the thickness.)
The box-like stage is created by using the Hunkydory Final Shadow Box die set using the largest of the rectangular window dies to cut from the double-sided paper also from the Craft Consortium Nativity collection. The back of the stage is cut from scrap packaging with the “Joy to the World” die cut from a purple scrap envelope (or sentiments from old Christmas cards).
An old Kaisercraft sentiment stamp set was used to stamp the back flaps of the envelopes for these cards to foretell what is inside.
Thank you for reading about these cards. Please hit the like button or leave a comment.
What fun to be a child with a new toy or two to play with on Christmas morning. This card takes its inspiration from a BoBunny paper pad and matching die-cut pieces as well as a recent release of Karen Burniston’s Flip Frame Pop-up die set.
I found the Flip Frame Pop-Up easy to assemble, but strongly suggest practicing with scrap paper the gluing placement of the mechanism and frame before gluing with your good paper. (Here is the assembly video.)
I cut the flip frame from dark green mirror card and used some scrap green pattern pieces to hide the white side of the mechanism so that the mechanism strip blends into the background.
The cream-colored doily is for writing a personal message, but it does give the feel that the open card is a tabletop with a picture frame of a loved one.
The front is decorated with pictures cut from the paper pad and the little boy is a die-cut from the BoBunny set that is adhered with foam squares. A ribbon was the final dimensional element to tie the little girl to the boy and the opened gift box.
The card base is made entirely from two papers from the BoBunny paper pad. The inside sentiment and snowflake are from the coordinating die cuts set.
As is my style, I stamped the envelope flap with an older Kaisercraft stamp sentiment to set the mood for the card.
Hope this card makes you remember your childhood Christmases.
What pops down a chimney and out a fireplace? Santa Kitten!
These cute little kittens jumped out at me while in a Tuesday Morning store. They are on cellophane treat bags. I realized that they were the correct size for one of Karen Burniston’s interactive dies – the Pop ‘n Swap.
While I would classify this card as a prototype, what I wanted to share is to show how you can make a shallow box like structure to create a fireplace over the pop ’n swap mechanism. Watch Karen Burniston’s assembly video to learn how to put together this mechanism.
For this slimline card, I cut a piece of heavy black cardstock 8 ½ x 8 inches and scored at 4 inches and folded in half to create the card base. (The card needs to be at least 4 inches wide since the mechanism folded flat is 4 inches wide.) Next, I cut from the front top of the card base a rectangle 2 ½ x 4 inches to allow the Santa kitten to show over the chimney top.
The inside shallow box is a 5 3/4 inches tall by 4 7/8 inches wide rectangle of red cardstock. I scored at ¼ inch, 1 inch and 4 inches. (Because the mechanism is ¾ inches tall, the box side is ¾ inches deep.) All the folds are mountain folds. The narrow tab goes towards the right edge of the card while the wide tab goes towards the inside fold. I glued my mechanism in first, and then using removable tape, I played with the positioning of the box and marked with pencil its placement before removing the box. I cut the widow to show the kitten inside the fireplace, by laying the fireplace frame over the mechanism and seeing where the kitten would best show. Next, I placed a loop of removable tape on the fireplace and positioned the box back into place and got the fireplace to stick to the inside of the box. With the fireplace stuck I removed the box and traced the opening of the fireplace onto the back of the box. With a metal ruler and craft knife, I cut the opening slightly larger than the pencil marks. Now the box is ready to be permanently glued in place. Glue the kittens in place next on the mechanism arms, cutting any corners that show beyond the kittens.
For decorating of the fireplace and mantel refer to my An Old-Time Christmas post. The brick is stenciled on the chimney panel before cutting it for the front. The fireplace was stenciled once the opening was cut for the fireplace, but before the box was glued permanently in place.
I tried a new-to-me product from Cosmic Shimmer called Fluffy Stuff. It is a thick paint-like substance that you can add dimension with for snow. You use a heat gun to get it to bubble up. I tried adding it to the front of the card after I assembled the card and in the heating of the card, I ended up heating the cellophane of the top kitten which shrunk a little. My recommendation is to add the Fluffy Stuff to your front panel before it is glued on to the card so that you can heat it and left it dry for 24 hours before gluing in place. (Here is a video that shows Fluffy Stuff being demonstrated on the Beebaab Youtube channel.)
If you have read this far, I’ll let you in on a secret. There is a free down of the “Naughty or Nice” sentiment in the supplies list.
The candles are lit in the windows to welcome you home to a house reminiscent of a red-brick four-square house popular in the early 20th century America. This is the fifth house card in my series of “A Week of Christmas Houses” using Poppy Stamps 2020 Winter House Pop-Up Easel die set.
The house goes together easily by looking at the photos on the Poppy Stamps packaging. It does involve a lot of die cutting as there is only one die of each window type. (I cut lots of the small pieces and store the extras in a tiny plastic bags that I keep with the die set.) To add depth to the porch and dormer windows I cut those pieces twice and glued together. The snowy pieces are cut from glitter paper and some of the window frames and siding have Nuvo Glitter Drops used thinly to give the illusion of melted snow.
Papers Used: The house is cut from a dark red cardstock with the windows and porch posts cut from shiny cream which is recycled from an old store-bought card. The red, dark blue and pale yellow come from monotone color packs of cardstock by Recollections. Note that there is a dark blue outline layer of the house that provides the window inside color as well as framing the outside edge of the house.
I masked off the front door with sticky notes and used Vintage Photo Distress ink to darken the door and frame. A tiny drop of gold Nuvo Crystal Drops for the doorknob and a wreath cut with a Tonic Studios die set, complete the door. A fir tree is also cut from the Tonic set.
The welcome mat, which acts as the easel stop, was stamped and heat embossed using a stamp from a retired Stampin’ Up set. I used a blend of Ranger Black Sparkle and Recollections Ebony Detail Embossing powders that give the welcome mat a snowy sparkle. Once heat embossed, the mat was weathered using Antique Linen Distress Ink on a sponge dauber and cut out with the coordinating die. Foam squares where used to adhere the mat to card and make it tall enough to act as an easel stop.
The ”Merry Christmas” is cut from heavy black cardstock glued down. A personal message can be written behind the house
I used two stamps on the envelope flap. I stamped Season’s in red and then masked it with a sticky note and stamped the greetings circle (which has a different sentiment in its center) in dark green.
Coming home to a house glowing warm with the smell of wood smoke in the air. What more could one want for the holidays? This card is the fourth house card in my series of “A Week of Christmas Houses” using Poppy Stamps 2020 Winter House Pop-Up Easel die set.
The house is cut from heavy card stock in a pale blue that has been in my stash from a card kit. The dark blue and pale yellow come from monotone color packs of cardstock by Recollections. Note that there is a pale-yellow outline layer of the house that provides the window inside color as well as framing the outside edge of the house. The card base is cut from heavy weight white cardstock and white glitter paper.
This card goes together easily by looking at the photos on the Poppy Stamps packaging. It does involve a lot of die cutting as there is only one die of each window type. (I cut lots of the small pieces and store the extras in a tiny plastic bags that I keep with the die set.) To add depth to the porch and dormer windows I cut those pieces twice and glued together. The snowy pieces are cut from glitter paper and some of the window frames and siding have Nuvo Glitter Drops used thinly to give the illusion of melted snow.
I masked off the front door with sticky notes and used Salty Ocean Distress ink to darken the door and frame. A tiny drop of gold Nuvo Crystal Drops for the doorknob and a wreath cut with a Tonic Studios die set, complete the door.
The welcome mat was stamped and heat embossed using a stamp from a retired Stampin’ Up set. I used a blend of Ranger Black Sparkle and Recollections Ebony Detail Embossing powders that give the welcome mat a snowy sparkle. Once heat embossed, the mat was weathered using Antique Linen Distress Ink on a sponge dauber and cut out with the coordinating die. Foam tape was used to adhere the mat to the sliding tab.
The windows all have a piece of pale blue organza ribbon taped behind the window frames to give the shine of glass and the rosy glow comes from some shading with Fossilized Amber Distress Ink on the pale-yellow cardstock. The boy and woman decorating a Christmas trees that can be seen in the windows are from an older Tonic Studios Toy Emporium die set. Also, from the Tonic set is the outside fir tree and door wreath.
The slider tab was first embossed using a brick stencil (See video by The Paper Boutique on dry embossing with stencils) and then inked with Fired Brick Distress Ink. To make the mortar lines standout, I used a white gel pen. I cut the chimney extra-long so I could fold it over and strengthen the pub tab and so I could punch a hole to thread the ribbon through and secure it to the back side.
The “Season’s Greetings” was stamped in red and is revealed when the chimney tab is pulled up. A personal message can be written below the “From our home to yours” heat embossed sentiment on the tab below the chimney. These stamps are from the Winter Woodland stamp set by Sheena Douglas. (NOTE: I would recommend stamping the revealed sentiments before assembling the card. I tried to do mine after assembling the slider and it was impossible to get a good enough impression to heat embossing the Season’s Greetings using a stamping platform.)
I used another stamp from the Winter Woodland set on the envelope flap to give a hint about the chimney pull on the card.