Month: December 2021

Nativity Ornament

| ullycatdesigns

Sometimes an ornament can be a fun Christmas card.  A traditional nativity scene makes for a special greeting and gift.

Memory Box dies and Distress Inks make for a quick make with brown kraft cardstock and white card stock scraps. While you can purchase a bundle of the Memory Box dies from Craftstash, I purchased my dies from several stores and skipped using the House Frame base die.

Cutting Pieces:

Cut from brown kraft cardstock:

  • 3 of the Nativity house frame
  • 2 of K-shaped crossbars
  • 2 sets of palm trees
  • 1 of the house frame background
  • 1 strip 3/8 inch x 2 3/8 inches

Cut from green paper:

  • 2 sets of palm leaves

Cut from white cardstock:

  • 2 of human figures

Cut from gold glitter cardstock:

  • 1 of star

Cut a 9-inch piece of linen twine

Creating Sturdy Pieces:

Glue the palm trees together to form a study pair of trees with green leaves on the front and back of trees.

Glue one of the K-shaped crossbars to the back side of a house frame. Cut the tab off another of the house frames. Glue the trimmed frame to the back of the first frame sandwiching the crossbar between the two frames.

Glue the two human figures together.

Creating Middle Frame:

Trim 1/8 inch of the remaining house frame’s tab.

Glue human figures onto strip positioning them to fit inside the frame opening.

Inking House Pieces:

Using Walnut Stain Distress Ink, cover the front and middle frames. 

Ink just the roof of the House background.

Inking with Lighter Brown:

Ink the palm tree trunks with Vintage Photo ink. Lightly tap some brown on the green leaves.

Ink around the sides, floor and eaves of house background.

Using washi tape or low tack tape mask the human figures off and ink the white ground to blend into the brown strip.

Inking with Yellow Ink:

Using Fossilized Amber Distress Ink, Blend the center of the house background into the darker edges.

Mask off all but the halo, baby’s head and straw and solidly color it yellow.

Inking with Green Ink:

Mask the hands and face. Using Mowed Lawn Distress Ink, color the male figure.

Inking with Blue Ink:

Mask the hands of female figure and manger/crib. Ink with Mermaid Lagoon ink.

Painting Flesh:

Tap a small amount of Abandoned Coral or other flesh toned ink on to a craft mat. Using a waterbrush pick-up some ink and experiment on scrap paper to get the desired flesh tone before painting the human figures.

Inking Manger/Crib:

Using both brown inks, color the crib to be darker than the ground.

Inked Details:

Using a fine-tipped brown pen, draw in man’s beard and add woodgrain to crib.

Golden Sparkle Detail:

Color the halo and baby’s head with a gold gel pen.

Attaching Figures to Middle Frame:

Add glue to back of middle frame and glue brown strip with human figures to house frame.

Attaching Middle Frame to House Background:

Fold back 1/8-inch tab on middle frame and glue to folded tab of house background. (A fine-tipped glue bottle makes this so much easier.)

Attaching Front Frame to House Background:

Fold back front house frame tab. Place glue on inside of tab and adhere to the bottom of house background tab.

Adding Twine Hanger:

Thread twine through all three holes in top of the roofs.

Knotting Twine:

Fold out the house frames flat to create slack in the twine before double knotting the twine at the roof pinicale.

Finishing Hanger:

Loop twine ends into a solid knot and trim ends to be even.

Glue star tips to house frame and twine.

Mailing Ornament:

The ornament fits into an A2 envelope. (I plan to seal mine into small plastic bags to go through the mail safely. You could also seal the entire piece with a spray acrylic sealer to stop the inks from running with if exposed to moisture.)

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies

Inks

  • Ranger – Tim Holtz’s Distress Ink – Mowed Lawn, Mermaid Lagoon, Walnut Stain, Vintage Photo, Fossilized Amber, Abandoned Coral
  • Brown fine-tipped pen
  • Gold gel pen

Papers

  • Brown Kraft cardstock
  • White cardstock scrap
  • Recollections – 8.5 x 11 glitter card stock – Cashmere Glitter
  • A2 envelope

Additional Supplies:

Snowy Hourglass

| ullycatdesigns

I loved playing with my grandmother’s small egg timer filled with white sand as a child and when I saw The Greetery’s Hourglass dies, I knew I wanted to make several.

To begin, I watched the how to video for the hourglass to get ideas on how to use the die sets. I decided on the cut-out version and cut out 11 hourglass frames from white cardstock. Then I cut out a out a whole hourglass insert using the larger die from the insert set. By mistake I cut the tent fold hourglass from the smaller inset die, but I made it work as I assembled the card. (To cut the tent fold hourglass, fold your cardstock in half and place the top edge just over the fold, so that it won’t cut into the cardstock when cut.) Cut one piece of acetate using the largest insert die.

Next, I adhered sheets of matte gold adhesive foil onto the front and back of a piece of white cardstock before cutting the frame of the hourglass from it. The last items I cut where the Christmas Time in the Country trees, cabin, smoke, snowflakes, stars, and snowbanks from colored scraps of cardstock. Using watercolor pencils and a water brush to color the cabin before assembling it with a scrap of yellow foil paper to go behind the windows. I popped the cabin up on another square cardstock scrap to give it dimension in the hourglass. The trees were cut from brown paper.

The ink blending of the large hourglass insert was done with a large ink blending brush which I also used to ink up the insert 10 insert frames that I had glued together and the eleventh frame that would be the frame to go over the acetate. Once the large insert piece was dry, I glued down the scene pieces weaving the smoke around the tree branches. Next, I sprayed the scene with white ink spray to create the snow fall. (The ink goes on thick, but it becomes translucent as it dries, so let it dry before going to the next set.)

Before assembling the card, stamp and heat emboss the inside sentiment on the tent fold hourglass piece. I used a Catherine Pooler stamp that was the correct size to fit in the smaller hourglass shape. (My stamping was not as solid as I had hoped, so once it was heat embossed, I had to go back and fill in the missing places with a gold gel pen.)

To assemble the hourglass, first glue the large, inked hourglass to the tent fold hourglass. Next, glue the stacked hourglass frames onto the large, inked hourglass. Add any extra snowflakes and stars die cut along with snowflake sequins and stars to the inside of the hourglass with a dash of fine glitter. Adhere the acetate to the top of the stacked frame and then the eleventh inked frame over the acetate. Glue the gold frame over the top of the hourglass. Shake to distribute the glitter to all parts of the hourglass scene. 

Because of the thickness of the card, I will make a small box to deliver it in from faux leather cardstock.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies

Stamps

Inks & Embossing Powder

  • VersaMark – Watermark Stamp Pad
  • Cosmic Shimmer – Detail Embossing Powder – Bright Gold
  • Ranger – Tim Holtz’s Distress Ink – Salty Ocean
  • Avery Elle White Ink Spray
  • Nuvo Highly Pigmented Watercolor Pencils – Cardinal Red and Imperial Jade

Papers

  • Heavy weight 8 ½ inches x 11 inches white cardstock
  • Colored cardstock scraps
  • Xcut – Xtras Adhesive Foil Sheets A5 – Gold – XCU 174419
  • A2 envelope

Shaker Elements

  • Prima Glitter – White
  • Button Galore & More – Sparkletz – Snowflake Sequins
  • Silver Star Sequins

Additional Supplies:

Christmas Cookies

| ullycatdesigns

Sweet cinnamon and icing sugar glaze scent drift through the air as you open this card. You visualize the baking sheet cooling as you ice the spice cookies to spell out “JOY.” Opening the card, you see a cup of hot coco complete with marshmallows and a candy cane. Turning the card over you find a jam filled heart cookie.

Made with Honey Bee Stamps and dies, this card is based on one designed by Keiko Ichikawa on the Honey Bee website.  I used a lot of my foam scrapes from Queen & Co. Shaker shapes to pop-up the baking sheet rim and thinner foam squares under the cookies, oven mitts and rubber spatula.

All of the cookie’s stamped white decorations as well as the vellum icing bag were stamped with a watermark ink and heat embossed with a white detail embossing powder. Using an embossing ink pen, I filled in the vellum icing bag and heat embossed the piece for a second time. I used a new anti-static tool filled with a powder, brushing it over all the cardstock and vellum before stamping.  (I like the results of this tool.)

The heart cookies on the front and back of the card are iced with Nuvo Drops for a white icing sugar glaze on the front (I cut the heart shape and placed the Nuvo Drops on it and let dry overnight before gluing to the scalloped heart cookie.)  The jam filled cookie on the back is two of the heart shapes cut from brown paper and foam squares placed on the bottom cookie then a transparent red Nuvo Drops in the center of the bottom cookie. The top cookie has a small heart die cut from its center. Place the top cookie onto the foam pads and let any Nuvo Drops come through the open heart. Allow to dry overnight before placing on card.

For the green rubber spatula and the metal spatula, I cut an extra die-cut of the shapes from white cardstock and rubbed the handle sections over a brown Distress Ink mini cube to create the wooden handles of these utensils.  A little Glossy Accents gel was added to the edge of the rubber spatula as if it was used to fill the icing bag. Once dry, a small amount of white Nuvo Drops was added over the Glossy Accents to complete the look. (My apologies that these photos don’t show the white Nuvo Drops.)

I ended up using puffy stickers for the inside sentiment. The main sentiment is stamped on the envelope flap using Rare Earth stamps and a dark green ink.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies

  • Honey Bee Stamps – Sugar Cookie Alphabet Dies – HBDS-334
  • Honey Bee Stamps – Apron: BBQ Add-on Honey Cuts (Dies) – HBDS-APRBBQ
  • Honey Bee Stamps –Cookie Sheet Honey Cuts (Dies) – HBDS-CKSA2

Stamps

  • Honey Bee Stamps – Baked with Love – HBST-333
  • Honey Bee Stamps – Sugar Cookie Alpha – HBST-334
  • Rare Earth – Sweet Treats and Sweet Traditions Stamps set from the magazine Let’s Make Cards issue 89, Dec. 2020

Inks & Embossing Powder

  • VersaMark – Watermark Stamp Pad
  • Wow Embossing Pen
  • Recollections – Detail Embossing Powder – Snow
  • Stampin’ Up – Classic Stampin’ Pad – Tranquil Tide
  • Ranger – Tim Holtz’s Distress Ink – Walnut Stain

Papers

  • Heavy weight white card base A7 (5 inches x 7 inches)
  • Vellum scrap
  • Colored and patterned scrap papers
  • Silver mirror card
  • Gingham paper from by A Christmas Tale 8×8” stack by Forever Friends/Papercraft Essentials
  • A7 envelope

Additional Supplies:

Home for the Holidays

| ullycatdesigns

Going home to be greeted by family and friends is a Christmas tradition since the mid-1800s.  This slimline tower card uses Spellbinder’s Open House dies to an interactive card that emotes the feeling of being welcomed home. (I must give credit to @DebsyG of Craftworld and Sam Calcott’s Made to Surprise tower cards for the inspiration for this card.)  

Spellbinder’s Open House collection has a number of add-on sets for various holidays, but none include a door wreath. (I had to use an older Lawn Fawn Mini Wreath from their door collection to complete my card.) I did use the side panel set to add more windows to the doorway.

Card base: Using heavyweight white cardstock that is 8 ¾ inches tall x 8 ½ inches wide, I scored and folded at 1 1/8 inches, 2 2/8 inches, 6 1/8 inches and 7 3/8 inches. Next, I stenciled the card base with brick colored ink, a brick stencil and a small make-up brush (I find these inexpensive contour make-up brushes from Dollar Tree work as well as the expensive ink brushes.) The folds should go to the back of the card, to form a jut-out entryway often found on townhouses.

Stairs: A gray cardstock was used to cut the main steps with the sentiment “Merry Christmas.” The sentiment was backed with scraps of red paper. I found an old envelope that was just a shade darker gray that the cardstock for the step tops. The railing is cut from heavy black cardstock and glued only at the rod tips to the steps.  The stairs where then adhered to the center of the card base, which when folded shut is 3 ¾ inches.

Door and Windows: The door was die cut with the windowpane dies in one pass. The side panels had to be cut and then cut with the window die. The top transom windows were also die cut from white cardstock.

I positioned the die cut door over the stairs and used a pencil to trace where the windows and the door edges.

Using the pencil lines, I cut out the windows and three side of the door with a craft knife.

Positioning the side panels next to the door, I traced the window positions with pencil and cut out and did the same with windows over the door and panels.

I saved the window frames to be glued in place to scrap pieces of clear vellum on the back side of the door and side panels and transom windows. Then I glued the vellum backed door onto the card base door. The vellum backed panels and transom windows where also glued in place so that the vellum was sandwiched between the case base and the white window and panel frames.

Inside Mechanism:  To create the set-back house interior, I cut a 8 ½ inches tall x 5 ½ inches wide piece of lightweight white cardstock. I scored and accordion folded at ¼ inch, ½ inch ¾ inch, 1 inch, 4 ½ inches, 4 ¾ inches, 5 inches and 5 ¼ inches. Next, I cut a floor from some woodgrain paper and the wallpaper from a small, patterned paper.  These piece where adhered to the center of the inside mechanism. 

The woman is an older Spellbinder’s small die of the month that can hold a pie, a present or a small fir tree. I chose a present popped-up on a foam square. The woman is glued to the wallpaper and floor before the inside mechanism is glued onto the back side of the card base.

The finishing touches are a tiny wreath I had in my stash that is glued over the door and attaching the mail slot and doorknob (cut twice and glued together for depth) to the door front.

The back of the envelope is stamped in red using a Tim Holtz rubber stamp “Have Yourself a Merry Little Christmas.”

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies:

Stencil & Stamp

Inks

Papers

  • Colored cardstock scraps
  • Pattered papers from Colorbok and Mrs. Sparkle paper pads
  • White cardstock
  • Clear vellum
  • #10 Business envelope

Additional Supplies:

A Silent Night in the Village

| ullycatdesigns

A cold winter’s night looking out from a window safe and warm onto a sleepy village is the scene this card suggests with hints of happy Christmas memories and the main reason for looking forward to Christmas eve.

The card is a happy mix of papercrafting products from both the USA and UK. The decorative papers and Bethlehem stamps are from Hunkydory. (Christmas papers from Hunkydory sell-out quickly, so I purchase them when I first see them generally on Craftstash as they have the best shipping rates from the UK to the USA.) The window frame is a cut and embossing folder from Memory Box. (I fussy cut two of these window frames and glued together for stability. After cutting out the basic window opening from the patterned paper.) My village is made from the hero Arts Tri-fold Edge Village dies and colored with watercolor pencils. At the top of the window is a wreath cut from thick packaging cardboard using an older Lawn Fawn mini wreath die set. The village and patterned paper are layered with foam tape.

For sentiments on this card I heat embossed “Silent Night” from the Bethlehem stamp set onto vellum using my favorite gold embossing powder. Inside the card is a Christmas tree shaped sentiment by Tim Holtz from Stampers Anonymous. The card back features the Bethlehem stamp in Crumb Cake ink that is similar to gold.

The envelope flap is stamped with one of my favorite round Christmas stamps from the Love Cardmaking magazine in a dark green ink mimicking the wreath on the card.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies & Embossing Folder:

Stamps, Ink, Embossing Powder

Papers

  • Park Lane A7 card base and envelope
  • Hunkydory – Duo Designs Paper Pad 8×8 – All Wrapped up & Festive Foil
  • Hunkydory – Adorable Scorable pattern Pack – Snowflakes Splendour
  • White card stock
  • Clear vellum

Additional Supplies:

  • Nuvo Watercolour Pencils
  • Waterbrush
  • Foam tape

A Clean and Simple Pop-Up

| ullycatdesigns

A simple and clean stamped card is not my usual style so I added a pop-up mechanism to make Santa fly.  The mechanism is Karen Burniston’s Spinner Square Pop-Up and the scene stamps are by Leane de Graaf.

Before assembling this card, I rewatched the two assembly videos Karen Burniston has made for the Spinner Square Pop-Up. Once I understood how to fold the mechanism, I folded it backwards from the video so that it would move its arm upwards instead of downwards.

I wanted a slimline card, so I cut a front panel with a ½ inch tab (9 x 3 ¾ inches) from heavy white cardstock. The back panel is 8 ½ x 3 ¾ inches also cut from heavy white cardstock.  The inside panel that floats up is 7 ½ x 3 ¾ inches cut from light weight white cardstock. I die-cut the mechanism and its arm (3 ½ x 1 ¼ inches) from lightweight white cardstock. The stamping was completed before assembling the card.

Stamping the trees on the front and inner panels, required creating masking papers to cover the trees that were to be in front of the other trees. The back trees are the darker color and stamped after the front tree.  A white pigment ink was used to stamp the snow onto the trees. The moon was stamped in Citrine with the crescent specks in Sunbeam. The “Winter Wonderland” sentiment is by Stampendous! while the inside “Magical Christmas Wishes” is by Sheena Douglass.

To assemble, the front tab was folded and glued on the back panel. Next, the pop-up mechanism was folded backwards and glued into the inside of the card. The arm was glued onto the square spinner as directed in the assembly video. With the card closed I positioned the fussy cut Santa’s sleigh and reindeer onto the arm top so that it would not be visible when the card was closed and played with the positioning before the glue set-up. Last to glue, is the inside stamped panel that hides the mechanism. It is glued on to the small raised platform on the mechanism.

The card fits into a #10 business envelope with the Sheena Douglass “Winter Wonderland” sentiment stamped on its back flap in black ink.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies:

Stamps & Inks

  • LeCrea Design by Leane de Graaf – Combi Stamps – Santa & Small Christmas Trees – 55.3707
  • Winter Woodland by Sheena Douglass, Creative Stamping, issue 62, December 2018
  • Winter Stags by Stampendous!, Creative Stamping, issue 90, December 2020
  • Memento – Fade-Resistant Dye Ink Pad – Tuxedo Black
  • Stampin’ Up – Stampin’ pad – Pear Pizzazz and Lemon Lime Twist
  • Simon Says – Pawsitively Saturated Ink – Citrine and Sunbeam
  • Simon Says – Premium Pigment Ink – White

Papers

  • White Cardstock in both light weight and heavy weight
  • Cream #10 Business Envelope

Additional Supplies:

Brick Easel House

| ullycatdesigns

“From our home to yours” is a sentiment that is often seen during the winter holidays. House cards are one of my favorite types of cards to make.  The cards shown in today’s blog were made using new Creative Expressions Craft Dies by Sue Wilson.

To die cut a large solid die like the house front, it is best to angle it so that it goes through the die cutting machine at a diagonal rather than straight across. (See picture below.)

For the red brick house, I used leftover stenciled cardstock that was stenciled with Distress Ink in Fired Red Brick, a brick stencil and a small make-up brush (I find these inexpensive contour make-up brushes from Dollar Tree work as well as the expensive ink brushes.)

For the brown brick house, I used a digital image of a brick wall to create a tiled pattern to print on an 8 ½ x 11 sheet of white cardstock using a computer and ink jet printer.

The windows, door and roofs were all cut from lightweight white cardstock and then fussy cut. The roof and door were colored with watercolor pencils and a water brush and allowed to dry under the dies’ plastic packaging so they would be flat. Once the door was dry, I added a drop of a gold Nuvo drop for the door knob and set it aside to dry overnight.

Solid colored scraps of red and green papers were used for the bows and wreath. The topiary trees were cut from white cardstock and colored with watercolor pencils. Their pots are cut from scrap patterned paper.

To glaze the windows, I used shiny organza ribbon glued to the back of the house die-cut. (I had ¼ inch wide ribbon so had to use two stripes for each window. You could use wider ribbon.) After the ribbon has set, the decorated house front was glued to a solid house frame cut with the largest die in the set. The top of the this die has a non-cutting edge which has to be hand-cut.

The tiny decorations can be attached at this stage in the assembly.

While the die set is designed to cut a tent fold card, I decided to make it an easel card using a 5 ¼ inch by 11-inch sheet of heavy white cardstock to score and fold along the long edge at 3 inches and at 3/8 inches. I then die-cut the base, folded at the 3 inches scoring with the non-cutting top of the house die at the fold. (See photo below for how the easel base looks opened up after being cut.)

Next, I used a stamping platform, clear VersaMark watermark ink to stamp the inside greeting after rubbing clean the cardbase with an anti-static powder pad. (I like to use the round stamping tool Stampendable with my stamping platform for uniform pressure on my stamps. I also use scrap copier paper under my items being stamped to add more pressure and to keep the platform clean.) The greeting from Lou Collins’ Text{ures} Seasonal Sentiments set was heat embossed with my favorite gold detail embossing powder from Cosmic Shimmer.

To adhere the house to the easel base, fold the short roof piece closed and add glue to the 3/8 inch tab. Position the house front to match-up with folded base and press at the tab area to adhere to glued tab. Open card up to see if positioned correctly, before attaching welcome mat (stamped and heat embossed from a retired Stampin’ Up front door stamp set) with foam tape.

I used two more stamps from the Text{ures} Seasonal Sentiments set on the envelope flap with Stampin’ Up’s Crumb Cake ink, which looks very much like gold embossing on the cream-colored envelope.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

See the more of Houses of Christmas

From Our House to Your House

Santa is Coming

A Baby is Coming

Keeping the Home Fires Burning

Red Four-Square

Santa Delivers to the Tropics

Supplies

Dies

Stamps

  • Text{ures} by Lou Collins – Seasonal Sentiments from Creative Stamping, issue 101, November 2021
  • Stampin’ Up – At Home with You – stamps & die set 143681 (Retired)

Ink & Embossing Powder

  • Stampin’ Up – Classic Stampin’ Pad – Crumb Cake
  • VersaMark – Watermark Stamp Pad
  • Cosmic Shimmer – Detail Embossing Powder – Bright Gold
  • Ranger -Embossing Powder – Black Sparkle
  • Ranger – Distress Ink – Antique Linen
  • Ranger – Distress Ink – Fired Brick
  • Brown Fine-Tipped Pen
  • Nuvo Watercolour Pencils

Paper

Miscellaneous