Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.
The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.
In 1985 I designed a pop-up room scene featuring a fireplace tabletop Christmas tree and a cat. I used rub-ons that were popular at the time to created graphics. All the straight lines were rub-ons as well as the letters on the garlands. I used a plastic drawing template for the circles and arcs. The cat was a sticker that had been reduced on a photocopier.
These postcards were hand-colored with watercolors and markers.
On the back of the postcard was the first of my CRX drawings that showed how the finished pop-up should look along with cutting and folding instructions.
I believe this was the last of the family designed Christmas cards as my father discovered Graphics3, a family-owned printing business in Jupiter, Florida that made 3D pop-up cards and began ordering from cards from them.
Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.
The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.
My siblings and I think the sleigh postcard was created around 1984 using an image found in a Dover Publications clip art book. (We didn’t document our source as it was an image in the public domain.)
The sleigh was manipulated on a photocopying machine. The image was cut-out twice and one image flipped on its back side and traced with an ink pen. A ruler and protractor were used to create the rectangular shapes and tabs that connected the sides. Rub-on lines were used to create the various thickness of lines and perfect corners.
The instructions, title and tab letters were printed using hand-set type and the cut and pasted onto the drawing. (You can see one of the “F” tabs shows the overlap of paper covering the line.)
These postcards were hand-colored using red makers. We printed 400+ of these cards starting in October.
A few of our friends said they had cut and assembled the sleigh.
Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.
The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.
For the 1983 stand alone fireplace, I know I was influenced by the cardboard fake fireplaces that were popular Christmas decorations in my childhood. The mantel design may have come from family homes or other 1920’s bungalow style homes with brick fireplaces. It is a more complex assembly with many smaller pieces. I remember printing the instructions and tab names with hand-set type and then cutting and pasting them onto the drawing, before sending it all off to be made into a metal cut.
My father had a little more experience with creating the colors using rub-on sheets of dots to create the coloring of sections of the drawing. Using a photocopying machine, he reduced the size of the dots to make them more intense and he did a reverse of the dots and space in between for the fire. Then he had three cuts made – one for the black drawing, one for the green stockings and mantel greenery and the last one for the red bricks and fire.
For one postcard, it took four runs through the printing press. We printed 400+ of these cards starting in October.
A few of our friends said they had cut and assembled the tiny fireplace adding the suggest string loop to make it a Christmas ornament.
Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.
The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.
The 1982 “From Our House To Your House” house box postcard was an outgrowth of my fascination with creating house boxes. I had been introduced to box making in a high school commercial art class where I created a blue and white farmhouse box for perfume. At college I expanded on the farmhouse box design by creating a cardboard embossing plate to add raised clapboard siding and roof shingles that was run through an intaglio press. In 1981 I had completed an internship at a historic house museum which was a red brick Victorian house.
The challenge with creating a house box on a postcard was how much would fit on a 5 3/4-inch x 3 3/4-inch postcard. I drew the box on an 8 1/2-inch x 11-inch sheet of paper and used a photocopying machine to reduce it in size.
My father was experimenting with a new technique for him using rub-on sheets of dots to create the coloring of sections of the drawing. He had three cuts made – one for the black drawing, one for the green roof, door wreath and greenery and the last one for the red bricks.
For one postcard, it took four runs through the printing press. We printed 400+ of these cards starting in October.
A few of our friends said they had cut and assembled the wee house box adding the suggest string loop.
Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch galley or frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.
The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.
The NO L Tree card was a mash-up of another Christmas card my parents had done in the 1950s spelling out the alphabet but leaving a space where the “L” would have been, and a 3D triangle tree that I had made as a child which was made of two triangles cut with slits that allowed them to slide together. My father suggested having the sentiment in red ink be on two quadrants while the green alphabet be on the remaining two quadrants. We decided on different type fonts for the two sides.
Hand setting the type was a little challenging, but after several test runs, we found the proper placement. I think we created a cardboard template to trace the tree lines inside the card with a black pen.
Instructions on how to assemble the tree as well as the card title/subtitle and card credits were all made with hand-set type. To print one card, it took two runs of green ink, two runs of red ink and one run of black ink for a total of five runs and one hand tracing of the triangle lines. We would print 200+ cards each year and start printing in October.
My siblings and I think this card was made around 1980-1981.
Recently I received a commission to make a Mother’s Day card that was to have all four of her children’s birthdays and names on it. The recipient likes gardening, traditionally receives flowers on Mother’s Day to plant in her garden and may soon be moving to a new home.
I began by looking through my paper stash and settled on a Graphic 45 paper collection that featured flowers of the months. Karen Burniston’s Waterfall Card dies made it easy to create four different waterfall panels. It was the backgrounds panels for the card that were a bit more difficult since I had already cut into the papers for other projects. I ended up piecing together stripes of the flowers from the various months needed for the front of the card and a patchwork for the inside top panel. For the inside bottom panel that the waterfall rests on, I made stripes of the ribbon from the various flower papers. The card back is a whole piece of flowered cardstock.
Having reviewed the waterfall assembly video, I knew that a 5×7 (A7 size) card base with a top fold could accommodate the waterfall. For the hidden message of “love you,” I used the words from Karen Burniston’s Words Set 13 to die-cut into the decorative panel that goes to the pull strip. The background papers had all been adhered to the purchased card base when I die cut the finger semi-circle into the card base bottom panel. Having assembled the waterfall mechanism, I then stapled it onto the card base as shown in the assembly video.
For the customization of the names and birthdays, I used the postage stamp ephemera pieces from the paper collection for the month and then added the names and dates using Karen Burniston’s Mini Alphabet and Numbers die set.
Card Back
Ribbon can hide a multiple of small mistakes and liven up a card. On this card it softens the staples on the back of the card and brightens up the card front. The front sentiment is Karen Burniston’s “Happy Mother’s Day” which includes a shadow background die in the set. The white label inside can be used for a personal message and is cut using the largest of the fancy labels in the Crosshatch Rectangles and Labels die set.
The envelope uses more of the flowered paper for the back flap.
It’s time for the Karen Burniston design team challenge for May 2023 with the theme of BEJEWELED.
My inspiration for this card was drawn from a similar cart made by a crafting friend Diana Bentham several years ago and a video by Anna Griffin.
Cart Drawer: The cart is based around the Slider Box. Watch the assembly video before die-cutting pieces. I used blue 100 lb. cardstock for the box and 65 lb. white cardstock for the drawer. A piece of sheer blue ribbon was used as a drawer pull. A Bam Box (see assembly video) is what pops up the message of “Thank you love you.” The sentiment is from Word Set 13 – Snow and Word Set 1 – Greetings while the rectangle is cut using one of the slider box decorative dies. Another decorative die with crosshatches was used to line the drawer with a polka dotted pink paper. The front of the drawer is decorated with the scrap from cutting the scalloped roof.
Cart Base: The cart’s frame made by die-cutting two of the Fancy Label Accordion panels and removing the center pivot panel to create a square frame with a tab on one side. Fold in half with tab side facing up. Glue the u-shape together. I took the two smallest of the off-cuts from the die cut to make the cart handles. (Glue the pieces back-to-back for stability.) Glue handles on to slider box at open end before adhering the u-shape frame to slider box.
Flowers and Pails: The flowers were cut from two shades of pink greeting card envelopes that I upcycled. The dies used come from three different sets – Flutter Charms, Flowers and Bee, and Flower Pot Pop-Up. (The flowers in Flowers and Bee and the Flower Pot Pop-Up are the same.) I used yellow posy flatback gems as the larger flower centers and sparkly resin gems for the smaller flowers. You can create some dimension to the flowers by shaping them with your fingers. I glued flowers on to scrap pieces of green cardstock that were glued into the silver pails.
The pails are cut from another upcycled envelope of holographic silver using the pail from the Adirondak Chair Pop-Up. I cut a front and a back for each pail, plus four more single-sided pails, cutting 16 pails total. Flowers are glued on both front and back of the six pails that line the cart’s sides. Four pails are glued to a small cube I made from matte silver cardstock and adhered to the center of the cart’s tabletop.
Roof Frame: The striped roof awning is cut from some digital striped paper using the large scalloped edged rectangle in the Rectangles and Labels – Crosshatch set. It is held up by a frame made by die-cutting two of the Fancy Label Accordion in white cardstock and cutting off the center pivot panel and side tab. (My cardstock was lightweight, so I cut a third frame and cut it in half to back the lower portion of my frames.)
Fold each of the frames at 2 3/4-inches. Glue the frames on to the sides of the cart base, lining up the bottom edge of the white frame to the inside edge of the blue cart frame.
Cut three strips of white cardstock 1 1/2-inches long by 1/2-inch wide. Fold each strip in half. Pinch the top halves of the roof frames towards each other to form triangular frame. Glue together with the three strips. Scraps from the die-cutting of the scalloped roof were used to decorate the cart sides.
Roof Sign: For the roof sign the “Happy Mother’s Day” was die cut twice using a deep blue foiled cardstock glued to two of the crosshatch fancy label from the Rectangles and Labels – Crosshatch set. A strip of white cardstock 5-inches long by 1/2-inch wide was folded in half and then the folded end was sandwiched between the two fancy labels and the labels adhered together. (You now have the equivalent of a large paper brad with two legs.) A slit was cut in the roof fold center for the legs of the sign to slide through and be glued to the underside of the roof.
Message Label: A personal message can be written on the front of the cart’s label made from the smallest of the fancy labels in the Rectangles and Labels – Crosshatch set and the green mat from the dotted label from the Label Charm Pop-Up set.
Wheels: For the wheels I made a template using middle plain and crosshatched circles from the Circles – Crosshatch set. Cut the plain circle from scrap paper and the place the crosshatch circle die in the middle of the paper circle. Trace around the center of crosshatch die. Fold the paper in half, then half again and once more in half to come up with eight sections of the circle. Using a see-through ruler, mark and draw 5mm wide spokes interesting in the middle of the circle.
Die-cut from brown mirror or foil cardstock two plain circles. On the back side of the circles use the paper template to trace the triangles that need to be cute out using a craft knife and straight edge. Color the back of the wheels with black marker.
Die cut two black circles using the larger of the circles from either the Flowers and Bee or the Flower Pot Pop-Up set. These will be the wheel hubs. Top hubs with Nuvo Drops and flat-backed pearls.(Allow Nuvo Drops to dry 24 hours before gluing onto cart.)
Glue wheels onto cart’s front posts. Trim off posts just below wheel hubs.
Finished Measurements: This is card/gift box is designed to hand delivered and measures 8-inches high, 6 1/2-inches wide and 3-inches deep.
Thank you for reading this blog post. I hope this inspires you and makes you smile. Please like and leave comments 😊
Flowers for Mother’s Day is traditional. A pop-up flower cart just adds to the fun.
This card uses Karen Burniston’s pop-stand mechanism die to make the market cart builder dies by Honey Bee Stamps really stand-up in an otherwise flat card.
Card Base: I watched a variety of videos on how to use the market cart dies as well as the assembly video for the Christmas Trees Pop Stand before I decided on an A2 (5 ½ x 4 1/4-inch) top fold card base. The inside of the cardbase was blended with green and black inks over the fold and then covered with two panels of green printed paper. I used the cart die to mark where the two pop-stands needed to be and die-cut them one at a time. I then covered the four holes created in the card base with small scrapes of the green paper adhered to the back of the card base. Finally, I covered the outside of the card base with green paper.
Cart: I cut two of all the cart pieces – wheels in black and a pink foil, cart base and shelf from a heavy pink cardstock, roof and cart trim from lightweight cream cardstock. There is a coordinating stencil for the roof and cart trim stripes which I used with a bright pink ink and sponger tool. The same ink was also used on the cart’s handles and posts. The two shelf pieces were glued one on top the other so that the tabs were on both sides. Taking one of the cart base pieces, I turned it over and glued a wheel, trim piece and the top edge of the roof onto the cart base. Under the roof I placed three foam squares to add dimension to the roof. I repeated the adhering of cart pieces on to the other cart base’s front side. The shelf piece was folded in half along the slot line and then glued to the back sides of the cart base pieces making sure the cart pieces all lined up when pressed flat. The top edge of the roofs was glued next. Finally, the pop-stand tabs were glued to the back of the cart’s two legs and two wheels.
Flowers: Cutting two sets of the three kinds of flowers and leaves from colored cardstock scraps, I used markers and gel pens to color the embossing of the wee flowers. The edges of the leaves were inked with black. The six pails were cut from some silver holographic junk mail scrap. A Quickstik or pick-up tool is very useful when assembling these flowers. An inch long strip of cardstock was stuck through the fold in the cart shelf and glued to the shelf underside. The two rose pails were glued on either side of the strip. The other flower pails were glued to the cart legs and wheels to cover up the pop-stand tabs.
Sentiment and Labels: “Happy Mother’s Day” is a die cut sentiment that comes with a shadow die. Both pieces were cut from cream cardstock. The sentiment was inked with bright pink ink before being glued to the shadow piece. Labels were cut from cream and pink cardstock using the dies in the Crosshatch Rectangles and Labels die set.
Decorations: I used the green paper’s decorative borders to create fence-like borders on the card front and inside, as well as using smaller snips of the border on the card back and envelope. The envelope and card back snips have a heart drawn with a black gel pen.
April showers bring May flowers and this birthday card delivers on a rainbow of colorful wishes and flowers.
This pop-up twist and pivot card features dies by Karen Burniston and papers by Honey Bee Stamps. A white cardstock rectangle of 10 x 6 3/8-inches folded in half was used to create a 5 x 6 3/8- inches top-fold cardbase.
To create the twist and pivot panels, I first watched several assembly videos to understand how to combine the two mechanical mechanisms. (The flower and train pivot panels are similar and the directions for adding the pivot panels to the twist panel pop-up starts about two-thirds through in this assembly video. The assembly video for the Twist Panel Pop-up is here towards the bottom of the page.)
Pop-Up Panels: Because I was limited to using paper from a single 6×6-inch paper pad, I found that the largest die was the flower pivot panel which had to be cut diagonally from the square of double-sided paper. Once this was cut, all other pieces had to be cut based off the direction of the stripes. Two dotted 6×6 squares were joined together with clear removable tape on their backsides and die-cut using the X mechanism die from the twist panel pop-up set. I used the excess strip of 1-inch cut from both the square dot panels to fill-in the holes where the mechanism folds up. Next, I glued the dotted panels into the card base with the clear tape joint going into the fold. The arms of the mechanism were die-cut from purple and glued to the X mechanism.
Flowers: There are dies in the flower pivot panel that can create three different large flower heads and one smaller flower. I created six of the white daisy, three of the yellow flower, three of the red flower, four of the purple flower and one small purple flower with leaves. I attached the two panels die-cut from the twist panel set to the flower pivot panel as shown in the assembly video. Decorating all the panels when they are flat is the easiest. Once decorated, attach panels as directed in the twist panel assembly video.
Decorations: The card front and back panels were covered with single sheets of patterned paper. The front features rain and clouds cut from the back of the double-sided paper while the back features a stained glass effect sunset. Grass edging was cut from the excess green strip cut from the back panel paper and used with the extra flowers to decorate the front and back of the card.
Sentiments: A large shadowed “Happy Birthday” was die cut from red and yellow to standout on the dark front. Stamped Funny Bones sentiments from Riley and Company grace the inside of the card and the envelope’s back flap.
Envelope: The tiny purple flower with leaves finishes the envelope flap. The card fits into an A7 envelope.
Thank you for reading this blog post. I hope this inspires you and makes you smile. Please like and leave comments 😊
Ully Cat's World 