Christmas Card

Modern Holiday Hearth

| ullycatdesigns

This is the third card in the Fireplace Christmas Card series.

Modern, clean and simple design are what this holiday card is all about. Inspiration comes from Altenew’s Modern Fireplace die set which creates a layered fireplace with a traditional mantelpiece, herringbone brickwork and an embossed firebox. An add-on set of Mantel Décor -Winter offers the wreath, bow and candlesticks. The burning logs and grate are part of the Fireplace set.

Cardbase: I started with an A2 size kraft cardstock base (4.25 x 5.5 inches when closed) and covered the outsides two panels with patterned cardstock.

Fireplace: For the fireplace mantel, I used a textured metallic gray cardstock, cutting the mantel shelf piece twice and the main piece once. The mantel shelf I also cut once from a heavy cardboard piece of junk mail. With the herringbone brick layer, I used a terra cotta piece of cardstock covered with clear packing tape to die-cut the piece. A dark gray piece of cardstock was used for the firebox which was distressed with white water-soluble crayon. To assemble follow the directions on the video on the link page. I glued a strip of white copier paper between the firebox layer and the brick layer just at the top, to give the mantel shelf piece an additional place to be attached to besides the top edge of the mantel base.

I cut the two flames and log pieces from white cardstock and colored them with markers and glitter ink. After coloring, I glued the layering pieces together and added the tiny black grate.

Decorations: The decorations on the card are minimal with two tall candlesticks in teal blue with white candles. All of these pieces were cut once from a heavy cardboard piece of junk mail and a second time from colored cardstock. The wreath was cut once from a heavy cardboard piece of junk mail and colored with a red marker. The bow was cut twice from teal with the knot being fussy cut out of the second piece.

Sentiments: I stamped the “Holiday Fun” before I assembled the card onto the card front. The sentiment was part of an Altenew stamp set that came in a crafting magazine from 2020. Inside the card I used the same teal cardstock from the mantel decorations to die cut “Happy holidays.”

Envelope: For the flap of the envelope, I used Altenew’s Mini Brownstone stamp set with two shades of red ink and two shades of brown ink to stamp the suggestion of what the outside of the home looks like. I finished off the scene with a .01 mm black pen to create a tree, windowpanes, sidewalk and fence.

Thank you for reading this blog post. I hope this inspires you and makes you smile. Please like and leave comments 😊

Other Fireplace Cards by designer/brand        

   

Materials Used:

Dies

Stamps

Papers

  • Crate Paper – 6×6 Single-Sided Patterned Paper Pad – Cool Kid
  • Spellbinders – 8.5×11 Cardstock 100 lb – Terra Cotta
  • Concord & 9th – 8.5×11 Cardstock 80 lb – Mushroom
  • Bazzill – 8.5×11 Textured Cardstock – Tiara -18-1002
  • Teal, White and Black Cardstock Scraps
  • A2 Cardbase and Envelope – Kraft

Ink

  • Stampin’ Up – Classic Stampin’ Pad – Cherry Cobler, Early Espresso, Misty Moonlight, Real Red, Soft Suede
  • Catherine Pooler – Premium Dye Ink- Party Collection – All That Jazz\
  • Ranger – Tim Holtz – Distress Crayon – Picket Fence
  • Recollections – Watercolor Crayons – White
  • Sharpie – Permanent Marker – Ultra Fine Tip – Black, Brown, Red
  • Pigma – Mircon 01 Fine Tip Pen – Black
  • Spectrum Noir – Sparkle Glitter Brush Pen – Firefly

Adhesives

  • Neutral PH Adhesive by LINECO
  • Fine-Tip Glue Bottle
  • Scor- Tape – Double-Sided Tape -1/8-inch wide

Tools

  • Die Cutting Machine
  • We R Memories – QuickStick
  • Stamping Platform
  • LDRS – Stampendable Stamping Tool
  • Stamping Cloth
  • Scissors

Warm and Cozy Hearth

| ullycatdesigns

This is the second card in the Fireplace Christmas Card series.

My inspiration for this cozy fireplace scene comes from the Graphic 45 paper collection Let’s Get Cozy and the Elizabeth Craft Designs Cozy Fireplace and Let’s Bake die sets.

Cardbase: A purchase A7 (5×7 inches) cardbase was covered with decorative papers on the two outside panels with leftover scraps used inside.

Fireplace: To create the stone fireplace, I cut two chimney pieces and two mantel pieces from the smooth side of the Bazzill cardstock and one mantel piece from the textured side of the same cardstock to get a textured firebox arch, mantel shelf and hearth stone. (The mantel shelf and hearthstone were fussy cut from the die-cut.) The individual stones (cut twice) and stones around the firebox were cut from the textured side of the gray cardstock. The top piece of the chimney was also cut from the textured cardstock. Glue individual stones to one fireplace piece then attach the stones around the opening. With black ink color the firebox piece if sooty.

Glue the two chimneys together. Glue the three chimney top strips together and then attach it to the chimney top. Center the chimney piece behind the fireplace piece with firebox. Using clear tape across the back of the fireplace piece without the stones attached, add the sooty firebox and with an inky blending brush add soot to the surrounding area of the firebox. Assemble the burning logs and glue onto firebox.

Add foam squares to the front of the fireplace with chimney, backsides of mantel shelf and hearthstone pieces. Attach the fireplace with stones onto base, then attach mantel shelf and hearthstone. Glue to front of cardbase.

Decorations: The Cozy Fireplace set comes with stockings, candles, and greenery. From the Let’s Bake set the table was cut from woodgrain embossed paper and ink blended with black ink. The Christmas pudding and its holly decoration comes from the same set with the cake stand cut down to a platter. The tiny NOEL plaque from an old Hunkdory set sits on the mantel shelf and was cut from gray cardstock, inked with red ink and a piece of red paper glued to the back. The candle flames were colored with markers. All decorations were popped-up on foam squares except the candles, greenery and picture which were glued in place.

Sentiments: There is a whole sheet in the Graphic 45 Let’s Get Cozy collection of borders with sentiments like “Winter is better together,” “Let’s get cozy,” “It’s cold outside,” “Warm Winter Wishes,” “Sweater weather,” “Stay cozy” and “Hello winter.” Some of the thin word borders were used on the card front to set the tone of the card. Others are used to cover the card back. A tiny NOEL plaque from an old Hunkdory set, sits on the mantel shelf. Stamped in blue on a crosshatch label inside the card, is the main sentiment of “Wishing you Peace and Joy.”

Envelope: A leftover decorative border scrap was glued to the envelope’s back flap as a subtle hint to what is inside.

Thank you for reading this blog post. I hope this inspires you and makes you smile. Please like and leave comments 😊

Other Fireplace Cards by designer/brand

Materials Used:

Dies

Stamps

  • Catherine Pooler – Clear Photopolymer Stamps – Holiday Glimmer – CPS1172

Papers

  • Graphic 45 – 8×8 Double-Sided Paper Pack – Let’s Get Cozy
  • Fun Stampers Journey – 8.5×11 Cardstock – Pumpkin Bread – CS-0098
  • Bazzill – 8.5×11 Textured Cardstock – Tiara -18-1002
  • American Crafts – 12×12 Cardstock – Embossed Wood Grain – Dark Kraft
  • Green, Red, Orange, Yellow, Brown, White and Black Cardstock Scraps
  • Park Lane PaperieA7 Cardbase and Envelope – White

Ink

  • Stampin’ Up – Classic Stampin’ Pad – Misty Moonlight
  • Ranger – Tim Holtz – Distress Ink- Black Soot and Fired Brick
  • Sharpie – Permanent Marker – Ultra Fine Tip – Orange, Red and Yellow
  • Nuvo – Aqua Shimmer – Glitter Gloss

Adhesives

Tools

  • Die Cutting Machine
  • We R Memories – QuickStick
  • Stamping Platform
  • LDRS – Stampendable Stamping Tool
  • Stamping Cloth
  • Sponge Dauber
  • Blending Brush
  • Craft Mat
  • Scissors

Holiday Hearth

| ullycatdesigns

This is the first card in the Fireplace Christmas Card series.

For this turn-of -the century fireplace easel card, Anna Griffin’s Holiday Hearth Easel die set is the star of the make along with some of her stamps and foiled embellishments.

Review the printed instruction sheet included in the fireplace die set before starting card.

Easel Base:  The easel base die cuts in one piece which I cut out in a heavy weight gray cardstock. I added a maroon carpet to the base using the fireplace outline die on a 6×6 inch piece of patterned paper.

Fireplace Mantelpiece:  The mantelpiece die cuts a detailed fireplace front. Because I used a double-sided cardstock that had different shades of green on each side, I was able to save the waste pieces and adhere them back inside the die-cut piece with the use of tape on the backside.

I die-cut the fireplace outline or back twice. Once from gray and once from light green. On the light green piece, I cut-off the bottom flap (and saved it to be stenciled in white to act as wallpaper above the mantel.) I also die-cut just the bottom flap of the fireplace in gray to become the hearthstone that will slide under the easel stopper. The green trimmed back piece was glued on top of the gray back piece. Next the bottom flap of the fireplace was adhered to bottom edge of the back piece and then covered with the gray hearthstone piece. Glue in black brick hearth and fire grate piece. Add glue to the back of the top fireplace tab and, with the entire fireplace flat, adhere to the back piece. Play with the positioning of the back piece on the easel base and then glue easel base tab to gray side of back piece.

Fireplace Grate with Fire:  For the back of the fireplace hearth, I cut a 3.75-inch square of black cardstock which I embossed with a brick wall embossing folder. The bricks were lightly colored with a white Distress Crayon and blended to make a smokey backdrop to the fire. The burning logs piece was cut twice from brown (logs) and once from red, yellow and orange (fire) respectively. I used tape and glue to assemble the fire and logs. To position the burning logs, open the card into the easel position and adhere the piece onto the bricks with foam squares. (When the card is closed flat, the burning logs will look slightly high inside the firebox.)

Decorations:  The die set comes with a stocking die as well as dies for holly and greenery garlands. I cut the stockings from three different decorative papers and then cut the just the cuffs from white cardstock having to do some fussy cut trimming after the die cutting. The garlands are cut from two different shades of green mirror/foil cardstock. The holly garland has red adhesive gems added along with a tiny red ribbon bow. The dark greenery garland is glued onto the mantel edge. All other decorations are adhered with foam squares. Two gold foil stars sit on the mantel shelf and a gold wrapped present sits on the floor. Both are from Anna’s Present Pop-Up Kit.

Sentiments:  A dimensional sentiment sticker from Anna’s Present Pop-Up Kit was popped-up on an additional layer of foam squares to allow the fireplace gray hearthstone to slide under and act as an easel stopper. A blank foiled sticker from the same kit was added to the card base for a personal message that will be hidden when the card is set-up as an easel. The red “Merry Christmas on the envelope flap and its green border are stamps from Anna’s Treasury of Stamps & Dies.

easel-card-sheet-2Download

CRX Sheet:  With many interactive cards, the recipient needs instructions on how to open and set-up the card. I create CRX sheets (card recipient experience) to include in the envelope. You can download for free the easel/double easel CRX sheet.

Thank you for reading this blog post. I hope this inspires you and makes you smile. Please like and leave comments 😊

Other Fireplace Cards by designer/brand

Materials Used:

Dies

Stamps

Embossing Folder

  • Altenew – Geometric 3D Embossing Folder 6×6 – Brick Wall – ALT6206

Stencils

  • Funky Fossil Designs – Windy Day

Papers

  • Craft Consortium – A4 Solids Double-Sided Paper Pad – Candy Christmas
  • Echo Park – 6×6 Double-Sided 65 lb Cardstock – Homegrown by Alisha Gordon & Kasie Fry
  • Reminisce – 6×6 Double-Sided Papers – Christmas Wishes
  • Light Green and Dark Green Mirror/Foil Cardstock
  • Black, Gray and White Cardstock
  • Anna Griffin – Present Pop-Up Kit – A7 Envelope – Ivory

Ink

  • Ranger – Tim Holtz – Distress Crayon – Picket Fence
  • Stampin’ Up – Classic Stampin’ Pad – Cherry Cobbler and Emerald Envy
  • Craft Smart –Acid Free Ink Pad – White

Adhesives

  • Neutral PH Adhesive by LINECO
  • Fine-Tip Glue Bottle
  • Clear Tape
  • Foam Squares

Tools

  • Die Cutting Machine
  • We R Memories – QuickStick
  • Stamping Platform
  • LDRS – Stampendable Stamping Tool
  • Stamping Cloth
  • Scissors
  • Fork

Miscellaneous

Vintage Christmas Cards – Room Scene

| ullycatdesigns

Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.

The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.

In 1985 I designed a pop-up room scene featuring a fireplace tabletop Christmas tree and a cat. I used rub-ons that were popular at the time to created graphics. All the straight lines were rub-ons as well as the letters on the garlands. I used a plastic drawing template for the circles and arcs. The cat was a sticker that had been reduced on a photocopier.

These postcards were hand-colored with watercolors and markers.

On the back of the postcard was the first of my CRX drawings that showed how the finished pop-up should look along with cutting and folding instructions.

I believe this was the last of the family designed Christmas cards as my father discovered Graphics3, a family-owned printing business in Jupiter, Florida that made 3D pop-up cards and began ordering from cards from them.

Here are other vintage Christmas cards:

  • Room Scene

Vintage Christmas Cards – Sleigh

| ullycatdesigns

Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.

The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.

My siblings and I think the sleigh postcard was created around 1984 using an image found in a Dover Publications clip art book. (We didn’t document our source as it was an image in the public domain.)

The sleigh was manipulated on a photocopying machine. The image was cut-out twice and one image flipped on its back side and traced with an ink pen. A ruler and protractor were used to create the rectangular shapes and tabs that connected the sides. Rub-on lines were used to create the various thickness of lines and perfect corners.

The instructions, title and tab letters were printed using hand-set type and the cut and pasted onto the drawing. (You can see one of the “F” tabs shows the overlap of paper covering the line.)

These postcards were hand-colored using red makers. We printed 400+ of these cards starting in October.

A few of our friends said they had cut and assembled the sleigh.

Here are other vintage Christmas cards:

  • Sleigh

Vintage Christmas Cards – Fireplace

| ullycatdesigns

Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.

The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.

For the 1983 stand alone fireplace, I know I was influenced by the cardboard fake fireplaces that were popular Christmas decorations in my childhood. The mantel design may have come from family homes or other 1920’s bungalow style homes with brick fireplaces. It is a more complex assembly with many smaller pieces. I remember printing the instructions and tab names with hand-set type and then cutting and pasting them onto the drawing, before sending it all off to be made into a metal cut.

My father had a little more experience with creating the colors using rub-on sheets of dots to create the coloring of sections of the drawing. Using a photocopying machine, he reduced the size of the dots to make them more intense and he did a reverse of the dots and space in between for the fire. Then he had three cuts made – one for the black drawing, one for the green stockings and mantel greenery and the last one for the red bricks and fire.

For one postcard, it took four runs through the printing press. We printed 400+ of these cards starting in October.

A few of our friends said they had cut and assembled the tiny fireplace adding the suggest string loop to make it a Christmas ornament.

Here are other vintage Christmas cards:

  • Fireplace

Vintage Christmas Cards – House Box

| ullycatdesigns

Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.

The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.

The 1982 “From Our House To Your House” house box postcard was an outgrowth of my fascination with creating house boxes. I had been introduced to box making in a high school commercial art class where I created a blue and white farmhouse box for perfume. At college I expanded on the farmhouse box design by creating a cardboard embossing plate to add raised clapboard siding and roof shingles that was run through an intaglio press. In 1981 I had completed an internship at a historic house museum which was a red brick Victorian house.

The challenge with creating a house box on a postcard was how much would fit on a 5 3/4-inch x 3 3/4-inch postcard. I drew the box on an 8 1/2-inch x 11-inch sheet of paper and used a photocopying machine to reduce it in size.

My father was experimenting with a new technique for him using rub-on sheets of dots to create the coloring of sections of the drawing. He had three cuts made – one for the black drawing, one for the green roof, door wreath and greenery and the last one for the red bricks.

For one postcard, it took four runs through the printing press. We printed 400+ of these cards starting in October.

A few of our friends said they had cut and assembled the wee house box adding the suggest string loop.

Here are other vintage Christmas cards:

  • House Box

Vintage Christmas Cards – NO L Tree

| ullycatdesigns

Recently I came across some family Christmas cards I had designed with the help of my father who owned a letterpress printing press and had cuts (think metal stamps on wooden blocks similar to rubber stamps on wood blocks) made of my drawings. The printing press held an 8×10-inch galley or frame which held the cuts and metal type (letters). Paper was hand-fed into the press which had an electric motor connected with a leather belt which turned the press wheel. From about age 8 and on I earned pocket money running the press to add people’s names to their store-bought Christmas cards, “From the Desk of” notepads and other small print jobs from family and friends.

The five cards that I am sharing this week were created before the computer drawing program Auto-CAD was widely available to individuals. (I know we didn’t have access to digital type fonts that Apple computers offered around that time.) I used rulers, India ink pens and protractors to draw the pop-ups.

The NO L Tree card was a mash-up of another Christmas card my parents had done in the 1950s spelling out the alphabet but leaving a space where the “L” would have been, and a 3D triangle tree that I had made as a child which was made of two triangles cut with slits that allowed them to slide together. My father suggested having the sentiment in red ink be on two quadrants while the green alphabet be on the remaining two quadrants. We decided on different type fonts for the two sides.

Hand setting the type was a little challenging, but after several test runs, we found the proper placement. I think we created a cardboard template to trace the tree lines inside the card with a black pen.

Instructions on how to assemble the tree as well as the card title/subtitle and card credits were all made with hand-set type. To print one card, it took two runs of green ink, two runs of red ink and one run of black ink for a total of five runs and one hand tracing of the triangle lines. We would print 200+ cards each year and start printing in October.

My siblings and I think this card was made around 1980-1981.

Here are other vintage Christmas cards:

  • NO L Tree

Tired Santa

| ullycatdesigns

This is a holiday card for a busy Santa. It features the Bam Box dies from Karen Burniston’s December 2022 release. It also uses previously released die sets of the Fireplace Pop-up die set, Fireplace Extras 1, Fireplace Extras 2,  Gnome and Santa, Slim Frames and Family Room die set.

Card Base:  The card base is an A7 size (5 x 7 inches) with a top fold. The base was what I glued decorative papers to as well as attaching the fireplace pop-up mechanism.

Bam Box:  The bam box is a rubber band powered spring box that allows the sofa to pop-up. Watch the assembly video before assembling. Heavy weight cardstock is recommended and allowing glue to dry at each step will make for the best working bam box.

Bam Box chair and ottoman closed
Bam Box chair and ottoman open

Chair:  A bam box is covered with the chair from the Family Room die set. The back of the chair is just the seat portion left flat. I cut a bam box decorative rectangle to cover the front base of the chair and hid the bam box. The pillow is attached as per assembly video directions. Santa is made from the Gnome and Santa set coloring the boots to look like socks and adding a pair of pants so his legs can stretch out onto the ottoman. Santa is glued to the pillow and his pants are glued to the Santa suit edge. The ottoman is just a bam box covered with decorative paper. (I originally was going to have a sofa in the scene as well, but decided on a chair and ottoman foot rest. The photos below depict the sofa assembly. The chair is made similarly.)

Fireplace and accessories:  For the fireplace cut two of the fireplace brick front – one in white and one in black as well as two of the lined mantle/hearth pieces – one white and one gray. The black brick is colored with a white crayon and the fire and logs are also cut twice and colored with watercolor pencils.

To assemble the fireplace, watch the assembly video first. You will need to attach the gray hearth and black brick pieces to the card base before adding the mechanism. There are two fireplace extra sets. I used the clock, fireplace fender and basket of logs from set 2 and the fireplace tools and candles from set 1. The tiny pop-up mechanisms for the objects on top of the mantel are from the fireplace die set. I also add strips of white cardstock to the wall on either side of the fireplace as floor moldings.

Rugs and Wall Decoration:  Using patterned papers that suggest wallpaper or carpeting make this type of card pop. The picture molding strip above the fireplace is a scrap trimmed off the patterned paper and the reverse side used. Slim Frames is the die set that the gold frame comes from while “Happy Boxing Day” and the calendar page are computer generated. The large green round rug is cut from the second largest circle crosshatch die. It can be used to write a personal message.

Card Front:  The card front uses a mat of silver glitter paper overlayed with the snowflake pattern plate cut from white handmade paper that has silver glitter swirls on it. The Holiday House is cut from papers used on the inside of the card. “SANTA” has been written on the door mat to hint at who is inside the card. “Happy Holidays” was cut three times with the top layer colored with silver gel pen.

Envelope: The back flap of the A7 brown kraft paper envelope has Santa’s sleigh and reindeer stamped in white to hint at what’s to come.

Thank you for reading this blog post. Please like and leave comments 😊

Materials Used:

Dies

Papers

  • Echo Park Paper Co. – 12 x12 Double-sided coated cardstock – A Perfect Christmas by Lori Whitlock – Berry Merry Christmas – APC135003
  • Echo Park Paper Co. – 12 x12 Double-sided coated cardstock – I Love Christmas by Lori Whitlock – Glad Tidings – ILC114009
  • American Crafts – The Color of memories 12 x12 Red Plaid Paper – 348968
  • Recollections – Signature Especial 12×12 Foil Paper – Silver Glitter -220520
  • White Glitter Handmade Paper
  • Colored scraps of cardstock
  • A7 Kraft Card and Envelope

Pens, Crayons & Inks

  • Pink, Red and Black Fine-Tipped Markers
  • Ranger – Tim Holtz – Distress Ink – Walnut Stain
  • Ranger – Tim Holtz – Distress Crayon – White
  • Simon Says Stamp – Premium Pigment Ink – White

Stamps

  • LeCrea Design by Leane de Graaf – Combi Stamps – Santa & Small Christmas Trees – 55.3707

Miscellaneous