Christmas Cookies

Sweet cinnamon and icing sugar glaze scent drift through the air as you open this card. You visualize the baking sheet cooling as you ice the spice cookies to spell out “JOY.” Opening the card, you see a cup of hot coco complete with marshmallows and a candy cane. Turning the card over you find a jam filled heart cookie.

Made with Honey Bee Stamps and dies, this card is based on one designed by Keiko Ichikawa on the Honey Bee website.  I used a lot of my foam scrapes from Queen & Co. Shaker shapes to pop-up the baking sheet rim and thinner foam squares under the cookies, oven mitts and rubber spatula.

All of the cookie’s stamped white decorations as well as the vellum icing bag were stamped with a watermark ink and heat embossed with a white detail embossing powder. Using an embossing ink pen, I filled in the vellum icing bag and heat embossed the piece for a second time. I used a new anti-static tool filled with a powder, brushing it over all the cardstock and vellum before stamping.  (I like the results of this tool.)

The heart cookies on the front and back of the card are iced with Nuvo Drops for a white icing sugar glaze on the front (I cut the heart shape and placed the Nuvo Drops on it and let dry overnight before gluing to the scalloped heart cookie.)  The jam filled cookie on the back is two of the heart shapes cut from brown paper and foam squares placed on the bottom cookie then a transparent red Nuvo Drops in the center of the bottom cookie. The top cookie has a small heart die cut from its center. Place the top cookie onto the foam pads and let any Nuvo Drops come through the open heart. Allow to dry overnight before placing on card.

For the green rubber spatula and the metal spatula, I cut an extra die-cut of the shapes from white cardstock and rubbed the handle sections over a brown Distress Ink mini cube to create the wooden handles of these utensils.  A little Glossy Accents gel was added to the edge of the rubber spatula as if it was used to fill the icing bag. Once dry, a small amount of white Nuvo Drops was added over the Glossy Accents to complete the look. (My apologies that these photos don’t show the white Nuvo Drops.)

I ended up using puffy stickers for the inside sentiment. The main sentiment is stamped on the envelope flap using Rare Earth stamps and a dark green ink.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies

  • Honey Bee Stamps – Sugar Cookie Alphabet Dies – HBDS-334
  • Honey Bee Stamps – Apron: BBQ Add-on Honey Cuts (Dies) – HBDS-APRBBQ
  • Honey Bee Stamps –Cookie Sheet Honey Cuts (Dies) – HBDS-CKSA2

Stamps

  • Honey Bee Stamps – Baked with Love – HBST-333
  • Honey Bee Stamps – Sugar Cookie Alpha – HBST-334
  • Rare Earth – Sweet Treats and Sweet Traditions Stamps set from the magazine Let’s Make Cards issue 89, Dec. 2020

Inks & Embossing Powder

  • VersaMark – Watermark Stamp Pad
  • Wow Embossing Pen
  • Recollections – Detail Embossing Powder – Snow
  • Stampin’ Up – Classic Stampin’ Pad – Tranquil Tide
  • Ranger – Tim Holtz’s Distress Ink – Walnut Stain

Papers

  • Heavy weight white card base A7 (5 inches x 7 inches)
  • Vellum scrap
  • Colored and patterned scrap papers
  • Silver mirror card
  • Gingham paper from by A Christmas Tale 8×8” stack by Forever Friends/Papercraft Essentials
  • A7 envelope

Additional Supplies:

Home for the Holidays

Going home to be greeted by family and friends is a Christmas tradition since the mid-1800s.  This slimline tower card uses Spellbinder’s Open House dies to an interactive card that emotes the feeling of being welcomed home. (I must give credit to @DebsyG of Craftworld and Sam Calcott’s Made to Surprise tower cards for the inspiration for this card.)  

Spellbinder’s Open House collection has a number of add-on sets for various holidays, but none include a door wreath. (I had to use an older Lawn Fawn Mini Wreath from their door collection to complete my card.) I did use the side panel set to add more windows to the doorway.

Card base: Using heavyweight white cardstock that is 8 ¾ inches tall x 8 ½ inches wide, I scored and folded at 1 1/8 inches, 2 2/8 inches, 6 1/8 inches and 7 3/8 inches. Next, I stenciled the card base with brick colored ink, a brick stencil and a small make-up brush (I find these inexpensive contour make-up brushes from Dollar Tree work as well as the expensive ink brushes.) The folds should go to the back of the card, to form a jut-out entryway often found on townhouses.

Stairs: A gray cardstock was used to cut the main steps with the sentiment “Merry Christmas.” The sentiment was backed with scraps of red paper. I found an old envelope that was just a shade darker gray that the cardstock for the step tops. The railing is cut from heavy black cardstock and glued only at the rod tips to the steps.  The stairs where then adhered to the center of the card base, which when folded shut is 3 ¾ inches.

Door and Windows: The door was die cut with the windowpane dies in one pass. The side panels had to be cut and then cut with the window die. The top transom windows were also die cut from white cardstock.

I positioned the die cut door over the stairs and used a pencil to trace where the windows and the door edges.

Using the pencil lines, I cut out the windows and three side of the door with a craft knife.

Positioning the side panels next to the door, I traced the window positions with pencil and cut out and did the same with windows over the door and panels.

I saved the window frames to be glued in place to scrap pieces of clear vellum on the back side of the door and side panels and transom windows. Then I glued the vellum backed door onto the card base door. The vellum backed panels and transom windows where also glued in place so that the vellum was sandwiched between the case base and the white window and panel frames.

Inside Mechanism:  To create the set-back house interior, I cut a 8 ½ inches tall x 5 ½ inches wide piece of lightweight white cardstock. I scored and accordion folded at ¼ inch, ½ inch ¾ inch, 1 inch, 4 ½ inches, 4 ¾ inches, 5 inches and 5 ¼ inches. Next, I cut a floor from some woodgrain paper and the wallpaper from a small, patterned paper.  These piece where adhered to the center of the inside mechanism. 

The woman is an older Spellbinder’s small die of the month that can hold a pie, a present or a small fir tree. I chose a present popped-up on a foam square. The woman is glued to the wallpaper and floor before the inside mechanism is glued onto the back side of the card base.

The finishing touches are a tiny wreath I had in my stash that is glued over the door and attaching the mail slot and doorknob (cut twice and glued together for depth) to the door front.

The back of the envelope is stamped in red using a Tim Holtz rubber stamp “Have Yourself a Merry Little Christmas.”

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies:

Stencil & Stamp

Inks

Papers

  • Colored cardstock scraps
  • Pattered papers from Colorbok and Mrs. Sparkle paper pads
  • White cardstock
  • Clear vellum
  • #10 Business envelope

Additional Supplies:

A Silent Night in the Village

A cold winter’s night looking out from a window safe and warm onto a sleepy village is the scene this card suggests with hints of happy Christmas memories and the main reason for looking forward to Christmas eve.

The card is a happy mix of papercrafting products from both the USA and UK. The decorative papers and Bethlehem stamps are from Hunkydory. (Christmas papers from Hunkydory sell-out quickly, so I purchase them when I first see them generally on Craftstash as they have the best shipping rates from the UK to the USA.) The window frame is a cut and embossing folder from Memory Box. (I fussy cut two of these window frames and glued together for stability. After cutting out the basic window opening from the patterned paper.) My village is made from the hero Arts Tri-fold Edge Village dies and colored with watercolor pencils. At the top of the window is a wreath cut from thick packaging cardboard using an older Lawn Fawn mini wreath die set. The village and patterned paper are layered with foam tape.

For sentiments on this card I heat embossed “Silent Night” from the Bethlehem stamp set onto vellum using my favorite gold embossing powder. Inside the card is a Christmas tree shaped sentiment by Tim Holtz from Stampers Anonymous. The card back features the Bethlehem stamp in Crumb Cake ink that is similar to gold.

The envelope flap is stamped with one of my favorite round Christmas stamps from the Love Cardmaking magazine in a dark green ink mimicking the wreath on the card.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies & Embossing Folder:

Stamps, Ink, Embossing Powder

Papers

  • Park Lane A7 card base and envelope
  • Hunkydory – Duo Designs Paper Pad 8×8 – All Wrapped up & Festive Foil
  • Hunkydory – Adorable Scorable pattern Pack – Snowflakes Splendour
  • White card stock
  • Clear vellum

Additional Supplies:

  • Nuvo Watercolour Pencils
  • Waterbrush
  • Foam tape

A Clean and Simple Pop-Up

A simple and clean stamped card is not my usual style so I added a pop-up mechanism to make Santa fly.  The mechanism is Karen Burniston’s Spinner Square Pop-Up and the scene stamps are by Leane de Graaf.

Before assembling this card, I rewatched the two assembly videos Karen Burniston has made for the Spinner Square Pop-Up. Once I understood how to fold the mechanism, I folded it backwards from the video so that it would move its arm upwards instead of downwards.

I wanted a slimline card, so I cut a front panel with a ½ inch tab (9 x 3 ¾ inches) from heavy white cardstock. The back panel is 8 ½ x 3 ¾ inches also cut from heavy white cardstock.  The inside panel that floats up is 7 ½ x 3 ¾ inches cut from light weight white cardstock. I die-cut the mechanism and its arm (3 ½ x 1 ¼ inches) from lightweight white cardstock. The stamping was completed before assembling the card.

Stamping the trees on the front and inner panels, required creating masking papers to cover the trees that were to be in front of the other trees. The back trees are the darker color and stamped after the front tree.  A white pigment ink was used to stamp the snow onto the trees. The moon was stamped in Citrine with the crescent specks in Sunbeam. The “Winter Wonderland” sentiment is by Stampendous! while the inside “Magical Christmas Wishes” is by Sheena Douglass.

To assemble, the front tab was folded and glued on the back panel. Next, the pop-up mechanism was folded backwards and glued into the inside of the card. The arm was glued onto the square spinner as directed in the assembly video. With the card closed I positioned the fussy cut Santa’s sleigh and reindeer onto the arm top so that it would not be visible when the card was closed and played with the positioning before the glue set-up. Last to glue, is the inside stamped panel that hides the mechanism. It is glued on to the small raised platform on the mechanism.

The card fits into a #10 business envelope with the Sheena Douglass “Winter Wonderland” sentiment stamped on its back flap in black ink.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies:

Stamps & Inks

  • LeCrea Design by Leane de Graaf – Combi Stamps – Santa & Small Christmas Trees – 55.3707
  • Winter Woodland by Sheena Douglass, Creative Stamping, issue 62, December 2018
  • Winter Stags by Stampendous!, Creative Stamping, issue 90, December 2020
  • Memento – Fade-Resistant Dye Ink Pad – Tuxedo Black
  • Stampin’ Up – Stampin’ pad – Pear Pizzazz and Lemon Lime Twist
  • Simon Says – Pawsitively Saturated Ink – Citrine and Sunbeam
  • Simon Says – Premium Pigment Ink – White

Papers

  • White Cardstock in both light weight and heavy weight
  • Cream #10 Business Envelope

Additional Supplies:

Brick Easel House

“From our home to yours” is a sentiment that is often seen during the winter holidays. House cards are one of my favorite types of cards to make.  The cards shown in today’s blog were made using new Creative Expressions Craft Dies by Sue Wilson.

To die cut a large solid die like the house front, it is best to angle it so that it goes through the die cutting machine at a diagonal rather than straight across. (See picture below.)

For the red brick house, I used leftover stenciled cardstock that was stenciled with Distress Ink in Fired Red Brick, a brick stencil and a small make-up brush (I find these inexpensive contour make-up brushes from Dollar Tree work as well as the expensive ink brushes.)

For the brown brick house, I used a digital image of a brick wall to create a tiled pattern to print on an 8 ½ x 11 sheet of white cardstock using a computer and ink jet printer.

The windows, door and roofs were all cut from lightweight white cardstock and then fussy cut. The roof and door were colored with watercolor pencils and a water brush and allowed to dry under the dies’ plastic packaging so they would be flat. Once the door was dry, I added a drop of a gold Nuvo drop for the door knob and set it aside to dry overnight.

Solid colored scraps of red and green papers were used for the bows and wreath. The topiary trees were cut from white cardstock and colored with watercolor pencils. Their pots are cut from scrap patterned paper.

To glaze the windows, I used shiny organza ribbon glued to the back of the house die-cut. (I had ¼ inch wide ribbon so had to use two stripes for each window. You could use wider ribbon.) After the ribbon has set, the decorated house front was glued to a solid house frame cut with the largest die in the set. The top of the this die has a non-cutting edge which has to be hand-cut.

The tiny decorations can be attached at this stage in the assembly.

While the die set is designed to cut a tent fold card, I decided to make it an easel card using a 5 ¼ inch by 11-inch sheet of heavy white cardstock to score and fold along the long edge at 3 inches and at 3/8 inches. I then die-cut the base, folded at the 3 inches scoring with the non-cutting top of the house die at the fold. (See photo below for how the easel base looks opened up after being cut.)

Next, I used a stamping platform, clear VersaMark watermark ink to stamp the inside greeting after rubbing clean the cardbase with an anti-static powder pad. (I like to use the round stamping tool Stampendable with my stamping platform for uniform pressure on my stamps. I also use scrap copier paper under my items being stamped to add more pressure and to keep the platform clean.) The greeting from Lou Collins’ Text{ures} Seasonal Sentiments set was heat embossed with my favorite gold detail embossing powder from Cosmic Shimmer.

To adhere the house to the easel base, fold the short roof piece closed and add glue to the 3/8 inch tab. Position the house front to match-up with folded base and press at the tab area to adhere to glued tab. Open card up to see if positioned correctly, before attaching welcome mat (stamped and heat embossed from a retired Stampin’ Up front door stamp set) with foam tape.

I used two more stamps from the Text{ures} Seasonal Sentiments set on the envelope flap with Stampin’ Up’s Crumb Cake ink, which looks very much like gold embossing on the cream-colored envelope.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

See the more of Houses of Christmas

From Our House to Your House

Santa is Coming

A Baby is Coming

Keeping the Home Fires Burning

Red Four-Square

Santa Delivers to the Tropics

Supplies

Dies

Stamps

  • Text{ures} by Lou Collins – Seasonal Sentiments from Creative Stamping, issue 101, November 2021
  • Stampin’ Up – At Home with You – stamps & die set 143681 (Retired)

Ink & Embossing Powder

  • Stampin’ Up – Classic Stampin’ Pad – Crumb Cake
  • VersaMark – Watermark Stamp Pad
  • Cosmic Shimmer – Detail Embossing Powder – Bright Gold
  • Ranger -Embossing Powder – Black Sparkle
  • Ranger – Distress Ink – Antique Linen
  • Ranger – Distress Ink – Fired Brick
  • Brown Fine-Tipped Pen
  • Nuvo Watercolour Pencils

Paper

Miscellaneous

A Stately Home for the Holidays

Victorian mansions of Italianate design fit so well into the Currier and Ives world of 19th Century images of Christmas, suggesting the warm and good cheer to be found inside such homes.

This card was made with Anna Griffin dies and stamps as well as printed card base and envelope.

While the mansion is intended to be used as a Halloween haunted house, the tower and arched windows reminded me of numerous red brick houses in the Midwestern United States. I cut the house twice from red cardstock, once from cream colored cardstock, and once from slate gray cardstock. Using the detailed window dies, I cut just enough of the different windows to match the various windows on the house from cream cardstock. From one of the red houses, I cut the porch walls with stairs attached, pillars, porch roof and tower above. I adhered the tower with thin foam squares and the porch brick walls with thick foam squares onto the other red house. From the cream-colored house, I cut the top porch wall decorations, front steps, porch pillars and porch roof. These were glued onto the red house.  From the slate gray house, I cut all the roof pieces including the porch roof. These were glued on to the base bouse. From the cream-colored house, I cut the eaves trim and tower fence railings. These railings and the top roof railings I colored with a gold metallic marker. The cream window frames were the last bits glued on to the house base.

Using the outline die of the Halloween house die, I cut a yellow patterned paper back for the house and glued the house onto it. 

For the Christmas wreaths and evergreen trees, I used dies from the Holiday Home Ease Card dies. Tiny scraps of patterned and textured papers add life to these wee decorations.

To turn the beautifully foiled card base into a slider card, I measured the finished house and lightly traced around the shape to know here the slider easel needed to be cut into the card base. (See this earlier slider card blog for more details.) The slider arm was cut using the door outline die from the Slimline Door die set and trimmed to fit the card base. A small hole punch was used to have a place to tie a ribbon pull onto the slider card which is hidden when the card is closed. A thumb hole was cut through both layers of the closed card base at the card top in the center using a 1-inch hole punch.

Before assembling the card, the sentiments were stamped with watermark ink and heat embossed on a cream piece of paper for the “Merry Christmas” and “Happy New Year” on to the top of the slider arm.

To assemble, the slider arm was glued to the backside of the lower tab of the slider easel. Next, using two layers of double-sided tape on the inside of the card base, along the two sides and bottom of the slider frame, the card was adhered shut.

The house was attached to the slider easel with foam pads on the front half of the easel. Ribbon was tied to the slider arm as well as a tiny tag saying “PULL” to ensure good CRX. (For more on good CRX see earlier blogs.)

Envelopes should never be left plain. They are the first hint as to what is inside. For this card I used a holly sprig stamped in dark green ink to set the Victorian mood of the card to come.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Click here for a list of other house cards on my blog.

Dies:

Stamps

Inks & Embossing Powders

  • VersaMark – Watermark Stamp Pad
  • Stampin’ Up – Classic Stampin’ Pad – Tranquil Tide
  • Nuvo Embossing Powder – Crimson Gloss
  • CraftStash – Gold Embossing Powder – from 2020 Advent Calendar
  • Gold metallic marker

Papers

  • Colored and white cardstock
  • Pattered paper from Mrs. Sparkle paper pads
  • Card base and envelope from Anna Griffin’s Present Pop-Up Card Making Kit

Additional Supplies:

An Autumn Day in the Park

Sometimes spending a holiday alone in a place far from home means that one must adapt and make new traditions, friends and feasts.

This penta-fold aperture card opens out to form a park scene complete with a water fountain and squirrels sharing acorns. Karen Burniston dies are used for all but the 4 inch square apertures.

Card base: Cut four pieces of heavy weight cardstock 6 inches x 6 ¼ inches and one piece 6 inches by 3 inches. Score and fold all the 6 ¼ inches sides at ¼ inch to form tabs.

Adhere decorative papers to the front and back of two of the tabbed squares. (I used double-sided tape at the outer edges of paper.) Center a 4-inch square die over the patterned paper and secure with removable tape. (Remember if you are using different papers for the inside and outside of your card to test that you have the papers on the correct sides of your tabbed card base panels before you cut the apertures.) 

Glue the aperture side panels to the 6-inch sides of the back panel whose tab is glued to the floor panel. The floor panel’s tab is glued to the 6-inch side of the 6 inch x 3inch piece. Adhere decorative paper onto all panels on the card base.

Trees: Cut four tree trunks using Tree Pop-Up die set.  Cut four leaves dies. Glue trunks to leaves. Use a fence piece to position each tree trunk on the sides of the apertures, gluing the overlapping leaves together in the aperture opening. Repeat all steps for other aperture panel.

Fence: Cut ten fence panels from the Iron Fence Pop-Up die set. (I cut twelve fence piece incase I made a mistake in cutting, which I did.) Trim five fence panels at the sixth post from the left. Trim the remaining fence panels at the sixth post from the right. Trim off sixth post tip and scrolls at the right of post on left panel as shown in photo. Glue right panel over left panel. Take one elongated fence panel and adhere to the back panel. Glue fences over aperture panels front and back matching up fence tips. 

Bench: Stamp with woodgrain stamp onto brown kraft card stock and heat emboss with white embossing powder.

Die cut one whole bench using the Garden Bench Pop-Up die set. Cut the seat section again with the woodgrain going with the seat planks. Save two of the scrolling out-cuts from the bench back to glue onto the front of bench arms. Glue seat onto bench matching up planks. Follow package directions to attach the bench to the back and floor panels.

Fountain: Cut one of each of the two pieces of tree trunk from Tiny Trees Pop-Up die set of blue card stock. Cut tree base from gray card stock.  Cut two sets of rocks from Tent Pop Up die set.

Assemble tree as per package directions. Trim the tips of branches off

Trim two colors of mylar foil into 1/8 inch wide strips. (I used the Spellbinders Quick Trimmer) Glue two color strips to each side of the trimmed tree trunk.

Cut a circle of blue foil and glue to fold made by the floor panel and the 6×3 inch panel. Cover edges with gray rocks. Attach the tiny tree foundation per directions on package.

Squirrels: Cut two squirrels and the tummy fur from two different colors. Cut two acorns from a light brown and two acorn tops from a dark brown. Assemble squirrels and acorns per package directions.  Cut one of the long pop-up platforms from the bench pop-up die set. Attach to bench per directions on package. Glue squirrel to platform.

Sentiments: “autumn colors”, “happy autumn” , “Happy Thanksgiving” and “Thinking of you” are sentiments from two of Karen Burniston Word die sets – Greetings and Autumn Word Set.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Other Bench Cards

VALENTINE SWING

A SWINGING ANNIVERSARY

SWING GATE FOLD

The Secret Garden

Dies:

Stamps & Heat Embossing

  • VersaMark – Watermark Stamp Pad
  • Stampin’ Pad – Rubber Stamp – Hardwood
  • Recollections – Detail Embossing Powder – Snow

Papers

  • Heavy weight white card stock
  • The Paper Studio – traditions Floral paisley – 112094
  • Authentique – Pioneer Plaid – THA005
  • Brown kraft cardstock
  • Colored cardstock and specialty paper scraps from my stash

Additional Supplies:

Hillside Holiday Wishes

One Christmas I got to experience Christmas in San Francisco with its hillside houses. Another Christmas I was driving through up-state New York on snowy streets where the houses are all on hillsides. This card evokes these memories for me.

It took several tries experimenting with the three dies in this Hero Arts die set. I finally figured out the positioning on an 11-inches by 5 3/8 inches card. The card is folded at 3 5/8 inches and 7 5/16 inches. I used a bone folder to burnish my folds.

The card sat on my desk for a few weeks until I found the right sentiment stamps. When my copy of Creative Stamping, issue 101 arrived with Lou Collins’ Text{ures} brand Seasonal Sentiments stamps, I knew they would be perfect when heat embossed in gold on the all-white card.

I remembered to wipe the card with an anti-static bag the first time I stamped and heat embossed the card, but I forgot to wipe the last panel before I stamped and there are a few tiny stray gold specks. (Moral of the story – always wipe the space that you will be applying embossing powder to before you stamp.)

To finish this clean and simple card, I chose a cream A2 size envelope and stamped the flap with the words “Happy Wishes” and heat embossed in gold. The stamps are from the same stamp set as the card.

Thank you for reading. If you enjoyed this blog post, please like it and follow the blog. 😊

Dies

  • Hero Arts – Fancy Dies – Tri-fold Edge, Village

Stamps

  • Text{ures} by Lou Collins – Seasonal Sentiments from Creative Stamping, issue 101, November 2021

Ink & Embossing Powder

  • VersaMark – Watermark Stamp Pad
  • Cosmic Shimmer – Detail Embossing Powder – Bright Gold

Papers

  • Heavy weight 8 ½ inches x 11 inches white cardstock
  • A2 envelope

Additional Supplies:

Figgy Pudding In A Jar

The warm fruity smell of spices and icing sugar as it cools means that Christmas is in the air.

These dimensional cards are made from a Queen & Co. Holiday Jar kit which include the patterned paper, sentiment stamps, dies, foam jar shakers and pre-cut acetate. Colored cardstock scraps and heavy white cardstock card bases and envelopes were the only things besides red ink, glue, baker’s twine and tiny candy canes that were not in the kit.

The tiny tag says “Mrs. Claus’ Gingerbread Bakery, Cookie, Pies, Figgy Pudding” and is one of the tag stamps in the set. both the outside sentiment “Sweet Christmas Wishes and the inside sentiment of “Have yourself A merry little Christmas” are also included in the kit.

For the jar lids I used Hunkydory mirri card from the oxidized metals collection. The jar handle is cut from shiny black cardstock and the white stitched jar frame white linen textured cardstock both from a DCWV “The Spooky Time Cardstock Matstack.”

The envelope flaps are stamped with the same Stampin’ Up Real Red ink as the cards and the sentiment “Thinking of you at Christmas” sets the tone for the card.

I also made one other design from this kit using a fir tree theme complete with a pine scent air freshener tucked inside the card.

PLEASE NOTE: Queen & Co. makes these kits in small batches and when they sell out they may not bring the items back. I usually purchase a kit and several of the refill foam sets when a new kit comes out.